| Reviews
"Andrew’s book is wonderfully
readable, lucidly written, and a one-of-a-kind resource for art
models both new and experienced, as well as artists, teachers, and
students. With its very publication, The Art Model’s Handbook
has solidified the legitimacy, virtue, and immeasurable value of
serious, professional art modeling."
Claudia Hajian, Art Model and Museworthy Blogger, New York City
"As an artist who works with models virtually every day, and who trains people to be art models,
this handbook has proven to be a most comprehensive and well thought out addition to my library. I recommend it to every person who
comes to me wondering what it is like to model for an artist. This is a great book to read about the art and business of being a model."
Brian Smith, Artist, Toronto
"A majority of the models who contact me wanting to pose for our workshop have little
to no experience modeling for artists. Many mistakenly assume fine-art modeling requires little to no knowledge or skill.
This book is the first comprehensive resource I have found that clearly explains every aspect of fine-art modeling. With
this foundational knowledge any aspiring or experienced models will be able to communicate a level of professionalism
that will set them apart. I regularly recommend it to people."
Trent Reynolds, Art Instructor and Creator of Dabbleon Videos
"This volume is an essential addition
to any library that serves the studio arts."
Barbara Furbush, Art Libraries
Society of North America
“An invaluable resource for the
new art model, the professional art model, art schools, art instructors,
art students, and anyone wanting to learn more about the complexities
of creating inspiration as a professional artist’s model.”
Wendy McClay-Triplett, Manager,
Models & Props, Art Center College of Design, Pasadena, CA
"From my standpoint as an artist,
I would love to see more models read this book and apply its instruction.
The material is clear, interesting and thorough. ... It is highly
recommended and very affordable."
Steve Armes reviewing for DFW
Art Models, Dallas, Texas
"For the first time a book concisely
defines what is expected of an art model and the fellow expectations
of the studio or colleges involved. Through interviews readers enjoy
professional art models' advice."
Waverly Tinsley, Art Model,
Indianapolis, Indiana
"This is an excellent book for
the curious or inexperienced, through the accomplished model, artist,
instructor, and those trying to work with models."
Missy Loewe, Academic Dean,
Washington School of Photography, Washington, DC
"...recommended for artists’
models, artists that work with models, people that book models for
life drawing classes or groups, or students that attend such groups...
This book is the real deal about the profession of modeling for
artists."
Fred Hatt, Artist and Life
Drawing Monitor, Spring Studio, New York City
"There is no question that every
art model should read this book; but let me suggest that every figure
photographer read it as well."
Craig Rothfuss, Figure Photography Magazine
"With sensitivity and skill, the
author describes what the figure drawing experience is like for
both models and artists, and establishes the parameters of mutual
respect and concern that must exist between them. He also deals
with most of the awkward or unfortunate situations that might cause
a model distress, or even put him or her in danger, and offers guidance
on precautions that would minimize discomfort and risk."
ForeWord Reviews
"a thorough, wide-ranging how-to
guide... which will also be tremendous help to artists who work
with models."
Scott Kirkman, Figure-Drawing League
“This work has all the tools one needs to develop into a skilled
professional model—a boon to art instructors, art students,
model coordinators and those artists who meet in groups to work
from the nude figure.”
David R. Quammen, Founder,
Figure Models Guild, Washington, DC
"This is quite a unique
book. At first glance it's obvious it should be read by anyone who
is thinking about modeling for artists. It certainly covers every
aspect of what a model should know in order to properly function
in this specialized business. ... But it's even bigger
than that. This 141 page paperback guide is written through the
eyes of a model. An unusual perspective in comparison with what
has been available on the topic. And it contains valuable information
for everyone involved with this art process."
Dee Overly, Artist,
Ann Arbor, Michigan
"From handling bookings and
typical business practices, to preparing for poses and keeping one's
mind entertained during long stretches, this book covers it in a
down-to-earth fashion that is succinct and clears the air of those
ridiculous historical stereotypes. This is a great book for those
looking to become an artist's model."
Jeffrey Wiener, TheGreatNude.tv,
New York City
"Everyone involved in representational
figure drawing from the model to the artist should take a look at
this book to get a perspective on the experience different from
their own and to make the experience a profitable one for everyone
involved."
Franz Fiedler, figure-drawings.blogspot.com
"This is a long overdue book on
everything related to being or hiring an art model. Andrew himself
is a very experienced model, but instead of just relying on his
own experiences he interviewed artists and photographers, managers
of art programs and other models. The result is comprehensive, and
extremely helpful in telling both the artist and the model what
to expect and how to make a session professional and productive."
Terry Rafferty, Artist, Albuquerque,
New Mexico
"The Art Model's Handbook should
be available in every library of every art organization, art school,
and anywhere else that models and artists may seek out information
about figurative art."
Kelly Borsheim, Artist, Austin
Texas and Florence Italy
"I rarely give a book five stars,
but — for this topic — I can’t think of any way
the author could have improved the book. Every working artist and
every classroom that uses models should have a copy of this book
in their studios. ... I read many books about and for artists, and
this one stands out as a brilliant idea, well executed and long
overdue. It’s well-written and easy to read, but — even
more importantly — it’s a useful reference that provides
far more than just the basics."
Eileen Morey, Senior Editor,
Art Books Reviews
"There are so many aspiring models
out there that I talk to on a daily basis and the same questions
always come up; 'where do I start, what should I do, not do….'
? In The Art Model's Handbook I think Andrew, an experienced
life and photography model, really captured a lot of topics essential
to both models, artists, art teachers and everyone involved in figurative
art."
Antoine de Villiers, Artist,
Savannah, Georgia
"This book is like an informative
and interesting documentary... It's recommended to models, would-be
models and people who work with models."
Parka Blogs, Singapore
"Until now, I've never seen a book that is written
from the model's perspective, directed mainly to models and instructors who don't have
a lot of experience with posing for and directing figure drawing sessions... It explains
very thoroughly about why particular things are done. It's a very good resource for those
that are considering to become art models or are still new to the profession. There are
many short anecdotes from different artists, instructors and models, as well as longer
interviews with models. As a person who has been on the drawing side, it gives me an insight
into the model's perspective of figure drawing."
Rie Shibazaki, Artist, Toronto, Ontario Canada
The Art Model's Handbook has been featured
on The Art
Engine and About.com. |